The studio

A small crew, one house at a time.

Hollow Oak started as a furniture practice that kept getting asked to fix the room around the table. The people below are fictional. The way the work is organized is the part a real remodeler would keep.

Portrait of Mara Ellison, a woman with dark hair pulled back, wearing a white shirt

Mara Ellison

Principal

Mara trained as a furniture maker before she started building rooms. She still draws the cabinet details herself and runs the first meeting at every house.

Portrait of Jonah Peck, a man with glasses and a beard in a gray sweater

Jonah Peck

Design director

Jonah is the architect in the studio. He draws the plans, argues for the window that should stay, and stays on the project through the last site visit.

Portrait of Adele Navarro, a woman with light brown hair in a striped shirt

Adele Navarro

Project lead

Adele keeps the schedule, the allowances, and the weekly note. If a selection is late, she is the person who will say so before it costs a week.

Portrait of Chris Dalton, a man in a gray button-up shirt outdoors

Chris Dalton

Lead carpenter

Chris runs the site. He has finished kitchens in pier-and-beam houses from Tarrytown to Leander and still prefers a job he can explain to the owner on a Friday.

Process

From the first visit to the punch list.

01

Walk the house

We visit, listen, and measure. The first meeting is about how you actually live in the rooms, not a mood board.

02

Draw it

Plans, a material palette, and a model of the rooms that change. You see the work before anyone opens a wall.

03

Price it once

A fixed proposal with allowances called out. If the scope changes, we write a change order before the work does.

04

Build it

Our carpenters, not a rotating cast of subs you have never met. You get a weekly note and a clean site.

05

Walk it back

A punch list, a care guide for the finishes, and a two-year workmanship warranty on a real project.

A note on this demo

What a client would replace.

The names, the license line, and the project stories are written for the demo. A real studio would swap in its own interviews, its license and insurance, and photographs from finished jobs. The pages, the project template, and the editor stay.

Ask for a walkthrough or read the photo credits.

Call (512) 555-0142